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Suchbegriffe :

Album Titel Vers. Länge Komponist/Autor Beschreibung Suchbegriffe Key BPM
CLA1820 Occhi belli
[CLA1820 - 6]
0 3'05 Carlo Donato Cossoni Intimate, charming & mystic. Soprano and chamber orchestra. vertraut charmant mystisch weiblich ... Em 123
CLA1820 Mesto amatore
[CLA1820 - 7]
0 2'26 Carlo Donato Cossoni Introspective, serious & intimate. Soprano and chamber orchestra. introspektiv vertraut rigoros melancholisch ... Bm 107
CLA1820 Fino all'ultimo respiro
[CLA1820 - 8]
0 1'43 Carlo Donato Cossoni Confident & rigorous. Soprano and chamber orchestra. zuversichtlich rigoros weiblich Barock (1600-1750) ... Em 137
CLA1820 Crudelis Herodes
[CLA1820 - 9]
0 4'58 Carlo Donato Cossoni Introspective, peaceful & melancholic. Soprano and chamber orchestra. introspektiv friedlich weiblich vertraut ... Dm 62
CLA1820 Ecce Jesu mi
[CLA1820 - 10]
0 6'02 Carlo Donato Cossoni Mystic & rigorous. Soprano and chamber orchestra. mystisch rigoros introspektiv Barock (1600-1750) ... Gm 104
CLA1820 Peccator penitente
[CLA1820 - 11]
0 6'12 Maurizio Cazzati Rigorous & sorry. Soprano and chamber orchestra. rigoros trostlos weiblich vertraut ... Cm 111
CLA1820 Amor bugiardo
[CLA1820 - 12]
0 4'31 Maurizio Cazzati Confident & female. Soprano and chamber orchestra. zuversichtlich weiblich rigoros fragend ... Cm 84
CLA1820 L'amante musico
[CLA1820 - 14]
0 1'51 Maurizio Cazzati Confident & determined. Soprano and chamber orchestra. zuversichtlich energisch weiblich stolz ... G 107
CLA1820 Lodasi il tacere
[CLA1820 - 15]
0 4'23 Maurizio Cazzati Confident & charming. Soprano and chamber orchestra. zuversichtlich charmant weiblich Barock (1600-1750) ... Gm 103
CLA1202 Act. 1, I. Vorspiel
[CLA1202 - 1]
0 2'53 Frank Martin 1st scene. Sad & interrogative. Tenor, soprano and symphony ... traurig fragend Balletmusik rigoros ... Em 84
CLA1202 Act. 1, II. Streittanz der ...
[CLA1202 - 2]
0 1'41 Frank Martin 2nd scene. Acceleration @ 1'27. Determined & exalting. Soprano and ... energisch begeisternd stolz Balletmusik ... Am 129
CLA1202 Act. 1, VI. Tanz des Herolds
[CLA1202 - 6]
0 1'41 Frank Martin 6th scene. Fiery & female. Soprano, contre-alto and symphony ... mitreißend energisch weiblich Balletmusik ... Em 164
CLA1202 Act. 1, VII. Aschenbrödel ...
[CLA1202 - 7]
0 6'42 Frank Martin 7th scene. New theme @ 2'04. Sad & introspective. Tenor, soprano, ... traurig introspektiv Balletmusik rigoros ... Em 65
CLA1202 Act. 1, IX. Entree des Fee
[CLA1202 - 9]
0 4'32 Frank Martin 9th scene. Interrogative & mysterious. Contre-alto, soprano and ... fragend mysteriös Balletmusik rigoros ... Gbm 90
CLA1202 Act. 3, I. Vorspiel
[CLA1202 - 18]
0 1'42 Frank Martin 1st scene. Tragic, pending & indolent. Sopran, tenor and symphony ... tragisch Balletmusik rigoros fragend ... Em 108
CLA1202 Act. 3, III. Entree des ...
[CLA1202 - 20]
0 5'53 Frank Martin 3rd scene. Determined, rigorous & tragic. Soprano, tenor, contre-alto ... energisch Balletmusik rigoros tragisch ... Bm 148
CLA1202 Act. 3, VIII. Finale
[CLA1202 - 25]
0 3'20 Frank Martin 8th scene. Proud & confident. Soprano, tenor and symphony orchestra. stolz zuversichtlich Balletmusik Symphonieorchester ... A 120
CLA1814 Quell'augellin che canta
[CLA1814 - 1]
0 2'02 Luca Marenzio Text ... Confident & mystic. Alto, bass, soprano, tenor and arpa doppia. zuversichtlich Renaissance (1400-1600) mystisch rigoros ... G 140
CLA1814 Cruda Amarilli, che col nome ...
[CLA1814 - 2]
0 4'33 Luca Marenzio Text ... Serious & solemn. Alto, bass, soprano, tenor and lute. rigoros zuversichtlich Renaissance (1400-1600) mystisch ... Am 65
CLA1814 Deh, poi ch'era ne' fati ...
[CLA1814 - 3]
0 1'36 Luca Marenzio Text ... Solemn & delicate. Alto, bass, soprano, tenor and lute. zeremoniell rigoros Alt (Gesang) Bass (Stimme) ... Em 70
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BPM
10
300
oder
KEYS