Text ... New Jack Swing. 90s R'n'B. Rhythmic, bouncy, groovy, sentimental & ...New Jack Swing. 90s R'n'B. Rhythmic, bouncy, groovy, sentimental & danceable. Singer, lyrics about love, drum machine, bass, keyboard, guitar & clap. Suggested for fashion, dance, sport & teen culture in a 90s mood.
YeahYou know what I’m sayingIt feels a little different here today butYou know, uhCome check the grooveNow baby love, come check the groove Oh girlI really don’t trip on ladiesBut the minute you walked on by me You really, really turned me onIf you get with me Check the vibe and seeYou can be my only oneYeah, come on You got me fiendin’Pretty lady, so fineAnd you got that bodyThat’s working over time, yeahI’m going crazy, what’s my opening lineYou got me goin, its like that I can’t deny
She’s in my head (She’s driving me wild)She’s on my mind (cuz your my baby)I’m not afraid of love this timeI won’t forget you She’s in my head (She’s driving me wild)She’s on my mind (cuz your my baby)I’m not afraid of love this timeSo I won’t forget you
GirlI really don’t think you hear meBeen looking everywhere for love And baby, you got it allWe can be so flyLobster every nightI’ll be there every time you call, baby You got me fiendin’Pretty lady, so fineAnd you got that bodyThat’s working over time, yeahI’m going crazy, what’s my opening lineYou got me goin, its like that I can’t deny
She’s in my head (Oh she’s driving me wild)She’s on my mind (cuz your my baby)I’m not afraid of love this time (you are, you are)I won’t forget you She’s in my head (You know she’s driving me wild)She’s on my mind (cuz your my baby)I’m not afraid of love this time But I won’t forget you
(Fiendin’)(Body) Look when you drive me crazy(Crazy) I can’t go anyway else babySo listen to me, put it downAnd come with me (Fiendin’) Crazy lady So fine and crazy(Body) My baby, babyCome on, come on, yeah(Crazy) Come on babyCheck the groove and level up with your boy, ahYou feel me, aight
Text ... New Jack Swing. 90s R'n'B. Determined, danceable, rhythmic & groovy. ...New Jack Swing. 90s R'n'B. Determined, danceable, rhythmic & groovy. Singer, keyboard, bass, drum machine, synth & whistling gimmick. Suggested for fashion, dance, sport & teen culture in a 90s mood.
I’d be a killerLet me be the one, I know you want itGuess you play with me sometimes Your easy game just show exactly baby what you wantYou’re choosing me I wonder why
Oh tell me baby what you need and I can be the one You tell me how to start the fireI can’t resist a feeling that you give me cause I need to fight for love
Fight for love Take me to the starlight
—————— Take me baby to your fictional realityWhen I’m with you I feel so strongJust say a word and we will face a new realityWith you I know I’m not alone Take me to the starlight ———Tell me baby You took me by surprise You stop me when I’m wrong Show me the way and I’ll support you all along
You know how to disguise You tell me to move on You take me to your…
Cinematic / Acoustic. Set of guitars building an arid, hostile & wild ...Cinematic / Acoustic. Set of guitars building an arid, hostile & wild landscape. Insidious, sudden, disturbed & panoramic. Mandolin @ 1'26 in a lighter & more delicate spirit. Suggested for western, American civil war, documentary & rurality.
Contemporary blues. Relentless, resigned yet determined. Solo ...Contemporary blues. Relentless, resigned yet determined. Solo electric guitar. Recommended for road movies, destiny & late night bar, after-hours.
Cinematic Americana. Solitary intro evolving in an introspective but ...Cinematic Americana. Solitary intro evolving in an introspective but determined spirit. Cinematic build-up @ 1'20 progressing to an intense & dramatic climax. Acoustic guitar, dobro slide guitar, synth & cinematic percussion. Suggested for road movie, contemporary western & American rail road legend.
Text ... Well-known American blues song & jazz standard of uncertain origin. ...Well-known American blues song & jazz standard of uncertain origin. "Well, I’m going down to the St. James Infirmary, to see my baby there". Sad & disillusioned. Blues/soul singer, snaps, sousaphone, drums & marimba. Instrumental tr-17 & 18.
Verse 1
Well, I’m going down to the St. James Infirmary, to see my baby there
She was all stretched out, on a long white table So sweet, so cold, so bare
Verse 2
Let her go, go ! Ahh, my little Baby, Where ever she can beYou may search this whole world all over But she’d never find a sweet man like me
Verse 3
Now, when I die, bury me in Stetson shoesA Stetson coat, and a Stetson hat And put a twenty dollar gold piece on my watch chain So the cats know, that I died fat Ad Lib
St. James Infirmary, where can my baby be ? It’s just at St. James Infirmary, yeah Let my baby go, let my baby goLet my Baby go, go, go Let my Baby go !
Traditional arranged by : Manuel Galvin & Jean-Jacques Milteau
Text ... Gospel song from the spiritual repertoire composed by Reverend ...Gospel song from the spiritual repertoire composed by Reverend Charles Albert Tindley in 1905. "When everything goes wrong, There's troubles in your home Oh, lord, Oh Lord , Stand by me..." Singer, choir, percussion & bass. Instrumental tr-24.
Verse 1 When everything goes wrong, There’s troubles in your home Oh, Lord, Oh Lord , Stand by me
Chorus
Lord, stand by me, As I walk this land alone Lord stand by me Help me bear this heavy load Oh if I stumble Lord, pick me up Help me drink from this bitter cup Oh Lord, Oh Lord, Stand by me
Verse 2
When everything goes wrong, There’s troubles in your home Oh, lord, Oh Lord, Stand by me I don’t worry and I don’t fret, Cause my God has never left me yet Oh Lord, Oh Lord, Stand by me
Chorus Lord, stand by me, As I walk this land alone Lord stand by me Help me bear this heavy load Oh if I stumble Lord, pick me up Help me drink from this bitter cup Oh Lord, Oh Lord, Stand by me
Words & Music by Reverend Charles A. Tindley (DP)
Arrangement by : Manuel Galvin & Jean-Jacques Milteau
Text ... Famous 19th century folksong also known as The Great Rock Island ...Famous 19th century folksong also known as The Great Rock Island Route and became a country music standard. "From the great Atlantic Ocean to the wide Pacific shore...". Male country singer, rhythm section, banjo, mandolin. Harmonica solo @ 1'25 & electric guitar. Instrumental tr-26.
Verse 1 From the great Atlantic ocean to the wide Pacific shore From the queen of flowing mountains to the south side by the shore She's mighty tall and handsome and known quite well by all She's the combination on the Wabash Cannonball
Verse 2 Now She came down from Birmingham one cold December day As she rolled into the station you could hear all the people say There's that gal from Tennessee she's long and she's tall She came down from Birmingham on the Wabash Cannonball
Verse 3 Yeah Listen to the jingle the rumble and the roar As she glides along the woodland through the hills and by the shore Hear the mighty rush of the engine hear that lonesome hobo call You're traveling through the jungle on the Wabash Cannonball
Verse 4 Our Eastern states are dandy so the people always say From New York to St. Louis and Chicago by the way From the hills of Minnesota where the rippling waters fall No chances can be taken on the Wabash Cannonball
Verse 5 So Listen to the jingle the rumble and the roar As she glides along the woodland through the hills and by the shore Hear the mighty rush of the engine hear that lonesome hobo call You're traveling through the jungle on the Wabash Cannonball
Traditional arranged by Manuel Galvin & Jean-Jacques Milteau
Text ... Well-known 19th century minstrel song composed by Stephen Foster. ...Well-known 19th century minstrel song composed by Stephen Foster. "Oh, Susanna, Don't you cry for me, ‘Cause I come from Alabama with the banjo on my knee...". Male country singer, guitare, banjo, slide dobro & rythmique. Instrumental tr-28 & 29.
Verse 1 Well I come from Alabama with a banjo on my knee I'm bound for Louisiana, my own true love for to see It rained all night the day I left The weather it was dry Sun so hot I froze to death Susanna, don't you cry
Chorus Oh, Susanna Don't you cry for me ‘Cause I come from Alabama with the banjo on my knee
Verse 2 I had a dream the other night When everything was still I dreamed I saw my girl Susanne She was coming around the hill
The buckwheat cake was in her mouth A tear was in her eye I said I come from Dixie girl Suzanna, don't you cry
Chorus Oh, Susanna Now, don't you cry for me ‘Cause I come from Alabama with the banjo on my knee Yeah Oh, Susanna Now, don't you cry for me ‘Cause I come from Alabama with this banjo on my knee
Words & Music by Stephen Foster (D.P) Arrangement by Manuel Galvin & Jean-Jacques Milteau
Country. Cheerful, joyful, upbeat, confident & optimistic. Country ...Country. Cheerful, joyful, upbeat, confident & optimistic. Country band with pedal steel & banjo. Suggested for USA road trip, road movie & USA west.
Country. Confident, optimistic, bucolic & positive. Country band with ...Country. Confident, optimistic, bucolic & positive. Country band with banjo, pedal steel & harmonica. Suggested for road movie & American rural way of life.
Americana country rock. Laid back, determined & confident. Blues ...Americana country rock. Laid back, determined & confident. Blues guitar riff. Country rock band. Suggested for road movie, USA west & americana rural way of life.
Americana country rock. Upbeat, positive & confident. Country rock ...Americana country rock. Upbeat, positive & confident. Country rock band. Suggested for road movie, travelling, advertising, road trip & American rural way of life.
Classic blues rock boogie in the spirit of the 70s revival with a ...Classic blues rock boogie in the spirit of the 70s revival with a touch glam rock. Positive, driving & rootsy. Blues rock band.
Surf rock. 60s. Driving & carefree & a bit mysterious. Suggested for ...Surf rock. 60s. Driving & carefree & a bit mysterious. Suggested for grindhouse, outdoor & landscape. Rock band. Break @ 1'32.