Blending hypnotic pads and aerial textures, Penelope Antena signs with Antelope a profoundly poetic and intimate debut album, guided by the thread of a constantly reinvented vocal technique. From organic tones tinged with Folk influences to avant-garde electronic modulations, the titles reveal an original grain and musical color, a stunning mix of melancholy and freshness.
Text ... Edgy, dreaming & meditative. Avant-garde pop/New-Age revival with a ...Edgy, dreaming & meditative. Avant-garde pop/New-Age revival with a world-music touch. Female singer with auto-tune fx & constant sampled vocals layers.
Got to lot to be thankful for A lot to be thankfulI’ve got a lot to be thankful forA lot to be thankfulI sit down and read your names at loudOne by one you drew me You never know how long the pain will last
I’ve got a lot to be thankful A lot to be thankful (lord i’m thankful)I’ve got a lot to be thankful A lot to be thankful
Like a prayer the letters fall into placeThe more I read it the more sens it makesForgive me for I didn’t know You hurt, you heal, and then you growYou growYou grow
Forgive me for I didn’t knowOh Lord I’m thankful Thankful Oh Lord I’ve gotta lot to be thankful for
Alternate without lead vocal. Edgy, dreamy, atmospheric & meditative. ...Alternate without lead vocal. Edgy, dreamy, atmospheric & meditative. Avant-garde pop/New-Age ballad. Sampled vocal loop with auto-tune fx & layers.
Text ... Peaceful, bright, smooth & confident. Avant-garde pop lullaby in a ...Peaceful, bright, smooth & confident. Avant-garde pop lullaby in a folktronica spirit. Female singer with pitched voice, treated double vocal fx & crystalline synth.
Bath yourself in this riverEau Claire Soon to meet my brother Eau Claire I know what you’ll say Don’t you dare giving up
Longest nights Held in fearSmoke in the cold I remember why i’m here Smallest of hopes Held in your hands
Fallen August of our love You mention my name in your sleep This my love is where you carry on without me
Watching snow fall on the lakeHow could I ever want to leaveThis my darling’s where it endsFor me
I’m glad you came looking for me But I am no moreI’m glad you came looking for me But I am no more Coldest autumn on my ownI hope you’ll remember For this my love is where i’m goneAnd you’re free I’m glad you came looking for me But I am no moreI’m glad you came looking for me But I am no more
Text ... Avant-garde pop/folktronica ballad with a touch of African ...Avant-garde pop/folktronica ballad with a touch of African world-music. female singer, kalimbra, drum & claps.
UnrevealingWe’ve kept our love on a tape Frozen morning By the lake where we skate Silver wellspring This was way more than just a fling I gave my dreamsYou’re the guardian of this house now Ouuh Ouuh Ouuh Ouuh You’re the guardian of this house You’re the guardian of this house now
Unrevealing We’ve kept our love on a tape I’ve heard and seen More than one take Precious offspring You will arrive in May My love my king You’re the guardian of this house now
Ouuh Ouuh Ouuh Ouuh You’re the guardian of this house You’re the guardian of this house now
Text ... Hypnotic, moving & unconventional. Avant-garde pop in a world-music ...Hypnotic, moving & unconventional. Avant-garde pop in a world-music spirit. Sequence and layers of sampled voices, electric bass, intermittent percussion & female lead singer @ 1'25,
Alternate without lead vocal. Hypnotic, repetitive & unconventional. ...Alternate without lead vocal. Hypnotic, repetitive & unconventional. Avant-garde pop with a world-music touch. Sequence and layers of sampled voices, electric bass, intermittent percussion & female vocals @ 0'35.
Text ... Avant-garde pop/electronica ballad with a touch of R&B. Edgy, ...Avant-garde pop/electronica ballad with a touch of R&B. Edgy, inspiring & passionate. Female singer, vocal sound design, delay fx, electric bass & percussion
Now that we’re parting Now that we’re parting I see you Now that we parted Now we’re parting I see you
I get it now you’re part of me we’re cut in half I get it now you’re a part of me we’re cut in half (Well there’s nothing back home) I see it now but too late
Now that we’re parting I see it now bu too late Now that we’re parting Now that we parted I see it now but too late
You’re a part of me (And I get that there’s nothing back home) Now that we’re parting I see you Now that we’re parting I see you Now that we parted You’re all I need I see you
I see you I get it now you’re part of me we’re cut in half (Now that we’re parting) I get it now you’re a part of me we’re cut in half Too late
Alternate without lead vocal. Avant-garde pop/electronica with a ...Alternate without lead vocal. Avant-garde pop/electronica with a touch of R&B. Edgy, inspiring, atmospheric & sparse. Vocal sound-design, electric bass & percussion.
You keep calling She hears you Fell no shame I want you
And I love how it feels And I love how it feels And I love
(You keep calling my name) You keep calling Do you see me (Ride in the name of love in the name of love in the name of love ouch) Picture me naked In your dreams (In my dreams)
And I love how it feels (How it feels) And I love how it feels And I love
You keep calling my name
Is she jealous of me like i’m jealous of her? Does she think about me like I thing about her?
Text ... Avant-garde pop/folktronica ballad. Introduction with celestial voice ...Avant-garde pop/folktronica ballad. Introduction with celestial voice & guitar. Female singer @ 0'45 & progression, rhythm @ 1'30 with sampled vocal loop. Only instrumental @ 1'45 & fade out.
We’ve crossed the landscape Far the Avenue I’ve let my heart heal Oh we’ll see it throughNow the grass is green Let’s go for a walk And all that’s left between The silence in our love
God God Above The silence in our love
Plea Perfect Plea Plea is to be Perfect Plea
God Above
Plea Perfect Plea Plea is to be Perfect Plea
Perfect name is God Plea Perfect PleaThe silence in our love
You’re above all thing GodMy god aboveOh LordYou’re above all things God
