Text ... Catchy & groovy. Female voice, folk & electric guitars & rhythm.
Eh bien, j'ai pensé qu'il était tempsDe te dire que tu est l'élu de mon coeurPour toujours tu esCelui qui me fait de l'effetPourquoi ne pas sauter le pas Cet amour est indestructiblePour toujours tu esCelui qui me fait de l'effet Tu es celuiCelui qui me fait de l'effetJe sais que nos destins sont entremêlés Passons à la prochaine étapeJe le sens au plus profond de moiPour toujours tu esCelui qui me fait de l'effet Encore et encoreUn plus un fontEncore et encoreUn plus un font troisJe sais que c'est le bon moment Pourquoi ne pas sauter le pasJe sais que nos destins sont entremêlés Passons à la prochaine étape
Text ... Country / folk song with a touch of bluegrass. Confident & lively. ...Country / folk song with a touch of bluegrass. Confident & lively. Female singer, guitar, mandolin, fiddle & electric bass. Banjo @ 1'35.
Gotta keep on movingGotta find a way to get close to youHelp me keep on moving, gottastay on my feet if I wanna get close to youI’m not bad at moving, when I gotta,And I just don’t know what else to do Gotta keep my head up, everyNow and then look up to the skyBeen so low I don’t recall what the Leaves on the trees look likeI’m doing my best,But won’t you help me with the rest Oh while I’m still breathing I’m moving fastIf you want me to stayYou gotta ask If only I could love youI would spend all night getting close to youIf only I could love you I would Be the one you could call yoursOh it sounds so pretty, But if I don’t show you know I’m so unsure Oh while I’m still breathing I’m moving fastIf you want me to stay You gotta ask I won’t say it won’t work if youSay you’ll do the same Hold myself still,StopAnd get myself to stayBut every time I tryYou just slip off to the sideAnd I keep moving Oh while I’m still breathing I’m moving fastIf you want me to stayYou gotta ask x2
Text ... Lively & confident country/folk song. Female singer, acoustic guitar, ...Lively & confident country/folk song. Female singer, acoustic guitar, fiddle, slide Dobro & electric bass.
Life’s become so fragile now that I care But I guess that means that I’m Getting somewhere Remember the time Laying in your bedWhen you told me that you loved me And you stroked my head
And I stared out the open window I’d even told you That one night howWords don’t mean a thing But it’s alright Cause every time I open my mouth And I wanna tell you something But something else comes out
But do you know that I need you nowI’m trying to tell you but I don’t know how So much frustration in my Untidy roomThat you thoughtfully went andGot me a broom But inside my room Is a messy mind that isTangled and twisted And untied
You know that I’m not too organisedI’m trying to be but I don’t have the time The cement in my headWas making me sinkBut you pulled me up and it hurts a little less to think So life’s a little fragile But I guess it always isWhen you’ve got some sort of reasonThat makes you wanna live But will you share a bit of the weightI’ve carried it with me for 21 years straight
Text ... Rhythmic & uplifting love song in a Mexican folk style, sung in ...Rhythmic & uplifting love song in a Mexican folk style, sung in Spanish. Male singer, Jarana Huasteca, guacharaca, strings, requinto solo @ 1'40.
Tenerte me fascina y me provoca Arrancarte de mi piel y mi memoria Nos vemos, nos olemos, nos besamos Y mi sexto sentido me cuestiona, ¿Nos amamos?¿Nos amamos? Esclavo de un impulso, una mascota Que se tiene, pero nunca se le toca Presiento que me huyes y no importa Solo fuimos cómplices de una derrota ¿Nos cegamos?¿Nos cegamos? Eran labios color rojo carmesí Se llevaban lo que quedaba de mí Yo recuerdo aquel intenso frenesí Y no siento ser aquel que una vez fui Amanece, Amanece, Amanece, Ama... Tenerte me fascina y me provoca Arrancarte de mi piel y mi memoria Nos vemos, nos olemos, nos besamos Y mi sexto sentido me cuestiona, ¿Nos amamos? ¿Nos amamos? Eran labios color rojo carmesí Se llevaban lo que quedaba de mí Yo recuerdo aquel intenso frenesí Y no siento ser aquel que una vez fui Eran labios color rojo carmesí Se llevaban lo que quedaba de mí Yo recuerdo aquel intenso frenesí Y no siento ser aquel que una vez fui Amanece, Amanece, Amanece, Ama...
Instrumental. Rhythmic & uplifting track in a Mexican folk style. ...Instrumental. Rhythmic & uplifting track in a Mexican folk style. Strings, Jarana Huasteca, guacharaca, requinto solo @ 1'40.
Text ... Tender, inspiring & emotional country/folk song. Female singer, folk ...Tender, inspiring & emotional country/folk song. Female singer, folk guitar, pedal steel guitar & electric bass.
Been laying low, my head downHaven’t stopped to look aroundIn a while, I’mHolding on to something But I can’t tell you what Left me thinking you were All that I had Oh I wanted you, so bad Oh let me goOh let me go Spent so much time pretendingThat I didn’t mind when you’dLift me up so high,Just to say goodbye againCan’t pretend that I didn’t feel the thrillBut you left me Lonely still Oh let me goOh let me go And everytime I’d try Oh I couldn’t catch your eye And I Grew so tired of the Shadow by my sideThat ICouldn’t help butPack away my timeAnd reclaim, what was mine Oh let me goOh let me go Oh, too much time on my hands Couldn’t seem to keep you backOh, too much time on my hands And now all I can do is ask Oh let me goOh let me go x3
Underscore. Country / folk with a touch of bluegrass. Confident & ...Underscore. Country / folk with a touch of bluegrass. Confident & lively. Guitar, mandolin, fiddle & electric bass. Banjo @ 1'35.
Text ... Confident & moving folk song. Female singer, acoustic guitar, ...Confident & moving folk song. Female singer, acoustic guitar, electric bass & fiddle @ 1'08.
I left home when I was 17Just to see if the grass was really green4 years deep of things left behindbut you know I’ve got it all still on my mind Bet you’ve already heard a song like thisOne that ends in that perfect farewell kissBut I won’t play that same old gameNot that flawless role we all seem to wanna play In your hands my heavy heartNowhere to put all the shameGive me back my fragileness And please take some of the blame I love you now that you want me toAnd that’s not something I usually doDigging up the roots of this old oak treeIs just a little harder than I thought it’d be In your hands my heavy heartNowhere to put all the shameGive me back my fragileness And please take some of the blame I gave you the key to let yourself inTo that secret place nobody’s ever beenYou peaked your head inside and looked aroundI can only hope you won’t let me down I don’t know if you seeJust how much you mean to meSo let me know what you findIn this sheltered heart of mine In your hands my heavy heartNowhere to put all the shameGive me back my fragileness And please take some of the blame
Underscore. Tender & inspiring country / folk. Folk guitar, pedal ...Underscore. Tender & inspiring country / folk. Folk guitar, pedal steel guitar & electric bass.
Text ... Nu folk song ins 60's spirit. Hopeful, driving & soulful. Female ...Nu folk song ins 60's spirit. Hopeful, driving & soulful. Female singer, folk guitar, piano, snare drum & rhythm.
There is a land
where we we go
When our hearts are wandering nowhere
We break the ties with the thing we know
And our minds run off to somewhere
Could it be that you & me
Where soft spoken words
elsewhere
Could it be that you & me
Could live together anywhere
Higher level energy
Truly got a hold on me
Now in the mirror of my heart
It is you that I see
Could it be that you & me
Where soft spoken words
elsewhere
Could it be that you & me
Could live together anywhere
Since our story story is written somewhere
If only you knew
How your dreams could come true
If only you’d let me walk by your side
The roads could lead us somewhere
Underscore. Nu folk song ins 60's spirit. Hopeful, driving & soulful. ...Underscore. Nu folk song ins 60's spirit. Hopeful, driving & soulful. Folk guitar, piano, snare drum & rhythm.
Alternate with whistling melody intro. Nu folk song ins 60's spirit. ...Alternate with whistling melody intro. Nu folk song ins 60's spirit. Hopeful, driving & soulful. Folk guitar, piano, snare drum & rhythm.
Text ... Traditional prison, logging, and railroad work song from the late ...Traditional prison, logging, and railroad work song from the late 19th century also known as Nine Pound Hammer. "Take this hammer and carry it to the captain". Country & western style singer, banjo, harmonica & slide dobro. Sousaphone & drums @ 0'58. Instrumental tr-16.
Chorus
Take this hammer and carry it to the captain Take this hammer and carry it to the captain Take this hammer and carry it to the captain
An’ Tell him I’m gone Tell him I’m gone
Verse 1
If he ask you was I runnin’ If he ask you was I runnin’ If he ask you was I runnin’ Tell him I was flyin’ Tell him I was flyin’ If he ask you was I laughin’ If he ask you was I laughin’ If he ask you was I laughin’ Tell him I was cryin’ Tell him I was cryin’
Chorus
Take this hammer carry it to the captain Take this hammer carry it to the captain Take this hammer carry it to the captain
Tell him I’m gone Tell him I’m gone
Verse 2
I don’t want no green back dollar I don’t want no green back dollar I don’t want no green back dollar
It hurts my pride It hurts my pride
Chorus
Take this hammer carry it to the captain Take this hammer carry it to the captain Take this hammer carry it to the captain
Tell him I’m gone Tell him I’m gone
Take this hammer carry it to the captain Tell him I’m gone Tell him I’m gone
Traditional arranged byManuel Galvin & Jean-Jacques Milteau
Folk song / contemporary western. Confident, carefree & pastoral. ...Folk song / contemporary western. Confident, carefree & pastoral. Male singer, folk guitar & harmonica.
Text ... Catchy & positive. Male voice, folk & electric guitars & rhythm.
Il y avait des feux dans ma têteEt le souvenir reste toujoursIl y avait des pouvoirs dans ton âmeQui prennent les rênes partout.Ames menteuses dans ta têteQui restent à mes côtésQui continuent à courir de toute façonMarchant plus près sur ta voie.Dis-moi que ta vie est ici mêmeOu approche-toi ici-mêmeViens et entre dans ma journéeEt ne désire jamais cette prièrePas de mensonge entre nousPas de malice, tu voisIl n’y a pas de soucis dans ton âmeElève-toi au-dessus des cascades
Text ... Alternative, indie rock. Catchy, cyclic & constant. Suggested for TV ...Alternative, indie rock. Catchy, cyclic & constant. Suggested for TV show, independent movie, destiny, romance. Acoustic guitar, piano, organ & female singer.
I've been known to walk
With other souls in pain.
How can I explain the shame
That makes you do it again?
In the middle of the night
When wrongs are rights,
And you've got nothing left to lose;
You could choose to feel
What's revealed;
Conceal and be numb.
Oh, I'm wise
And I know the score,
So before we begin;
I'm going to look for the door.
Tried to have a talk with myself
About the walk I'd take with you.
The conclusion that I drew
Was it would be of no use.
So I, I'll decide:
Let's take a ride;
Into the night,
Into the night,
Into the night.
Elle prend une photo.
Il n'y aura pas de questions.
Tu prends le train.
Il n'y a nulle part où aller.
Il regarde un film en noir et blanc.
Elle écrit:
"Ton arrondissement
ou le mien?"
Text ... Alternate with spoken world in French @ 1'49.
I've been known to walk With other souls in pain. How can I explain the shame That makes you do it again? In the middle of the night When wrongs are rights, And you've got nothing left to lose; You could choose to feel What's revealed; Conceal and be numb. Oh, I'm wise And I know the score, So before we begin; I'm going to look for the door. Tried to have a talk with myself About the walk I'd take with you. The conclusion that I drew Was it would be of no use. So I, I'll decide: Let's take a ride; Into the night, Into the night, Into the night. Elle prend une photo. Il n'y aura pas de questions. Tu prends le train. Il n'y a nulle part où aller. Il regarde un film en noir et blanc. Elle écrit: "Ton arrondissement ou le mien?"