Album | Titel | Vers. | Länge | Komponist/Autor | Beschreibung | Suchbegriffe | Key | BPM |
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Man is for the woman made [CLA0705 - 14] |
0 | 1'11 | Henry Purcell | Man is for the woman made | Barock (1600-1750) 17. Jahrhundert Bariton (Stimme) Cembalo ... | Gbm | 101 |
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Fairest isle of isles ...
[CLA0705 - 15] |
0 | 1'50 | Henry Purcell | Fairest isle of isles excelling | Barock (1600-1750) 17. Jahrhundert Bariton (Stimme) Cembalo ... | Gm | 139 |
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Now that the sun hath veil'd ...
[CLA0705 - 16] |
0 | 3'53 | Henry Purcell | Now that the sun hath veil'd his | Barock (1600-1750) 17. Jahrhundert Bariton (Stimme) Cembalo ... | Gm | 85 |
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Incassum, Lesbia, incassum ...
[CLA0705 - 17] |
0 | 9'03 | Henry Purcell | Incassum, Lesbia, incassum rogas | Barock (1600-1750) 17. Jahrhundert Bariton (Stimme) Cembalo ... | Bm | 111 |
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Lord, what is man [CLA0705 - 18] |
0 | 6'48 | Henry Purcell | Lord, what is man | Barock (1600-1750) 17. Jahrhundert Bariton (Stimme) Cembalo ... | D | 185 |
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Lamento D'arianna [CLA9016 - 1] |
0 | 12'02 | Claudio Monteverdi | Lamento D'arianna | 17. Jahrhundert Barock (1600-1750) Renaissance (1400-1600) Renaissance ... | Dm | 123 |
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Piango, Gemo [CLA9016 - 2] |
0 | 9'30 | Antonio Vivaldi | Piango, Gemo | 17. Jahrhundert 18. Jahrhundert Mezzo-Sopran (Gesang) Barock (1600-1750) ... | Gm | 108 |
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Meine Seele erhebt den Herren ...
[CLA2706 - 1] |
0 | 2'01 | Delphin Strunck | versus I | Barock (1600-1750) 17. Jahrhundert katholisch akustisch ... | Em | 99 |
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Magnificat primi toni, BuxWV ...
[CLA2706 - 2] |
0 | 8'16 | Dietrich Buxtehude | BuxWV 203 | Barock (1600-1750) 17. Jahrhundert katholisch akustisch ... | Em | 72 |
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Magnificat noni toni, BuxWV ...
[CLA2706 - 3] |
0 | 2'15 | Dietrich Buxtehude | BuxWV 205/2 | Barock (1600-1750) 17. Jahrhundert katholisch akustisch ... | Em | 102 |
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Magnificat primi toni, WV 14 ...
[CLA2706 - 4] |
0 | 2'06 | Heinrich Scheidemann | Versus I | Barock (1600-1750) 17. Jahrhundert katholisch akustisch ... | Bm | 75 |
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Magnificat primi toni, WV 14 ...
[CLA2706 - 5] |
0 | 6'10 | Heinrich Scheidemann | Versus II | Barock (1600-1750) 17. Jahrhundert katholisch akustisch ... | Bm | 82 |
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Magnificat primi toni, WV 14 ...
[CLA2706 - 6] |
0 | 2'51 | Heinrich Scheidemann | Versus III | Barock (1600-1750) 17. Jahrhundert katholisch akustisch ... | Bm | 108 |
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Magnificat primi toni, WV 14 ...
[CLA2706 - 7] |
0 | 1'59 | Heinrich Scheidemann | Versus IV | Barock (1600-1750) 17. Jahrhundert katholisch akustisch ... | Bm | 86 |
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Magnificat noni toni, BuxWV ...
[CLA2706 - 8] |
0 | 1'26 | Dietrich Buxtehude | BuxWV 205/1 | Barock (1600-1750) 17. Jahrhundert katholisch akustisch ... | Am | 85 |
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Magnificat primi toni, BuxWV ...
[CLA2706 - 9] |
0 | 2'13 | Dietrich Buxtehude | BuxWV 204/1 | Barock (1600-1750) 17. Jahrhundert katholisch akustisch ... | Bm | 64 |
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Magnificat primi toni, BuxWV ...
[CLA2706 - 10] |
0 | 1'48 | Dietrich Buxtehude | BuxWV 204/2 | Barock (1600-1750) 17. Jahrhundert katholisch akustisch ... | Em | 72 |
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Magnificat primi toni - ...
[CLA2706 - 11] |
0 | 1'58 | Hieronymus Praetorius III | Versus I | Barock (1600-1750) 17. Jahrhundert katholisch akustisch ... | Em | 101 |
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Magnificat primi toni - ...
[CLA2706 - 12] |
0 | 4'50 | Hieronymus Praetorius III | Versus II | Barock (1600-1750) 17. Jahrhundert katholisch akustisch ... | Em | 90 |
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Magnificat primi toni - ...
[CLA2706 - 13] |
0 | 3'59 | Hieronymus Praetorius III | Versus III | Barock (1600-1750) 17. Jahrhundert katholisch akustisch ... | Em | 110 |
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