Text ... Bossa Nova typical of Brazil in the early 60's. Tender, warm & ...Bossa Nova typical of Brazil in the early 60's. Tender, warm & charming with a touch of melancholy. Female singer, guitar & flugelhorn @1'12.
Como não recordar de nós dois, quanta saudade
Tantas lembranças tão antigas tão presentes
Que não posso esquecer, como poderia
Nao tem jeito não
Mesmo se eu quisesse renegar, anos depois
Cada passo lado a lado
Cada laço assim atado
Eu não poderia deslembrar jamais
Tem jeito não
Tempo passou pra nós dois
Mas ficou um gosto bom
Tempos depois pra nós dois
Tempo bom que passou
Que passou que ficou
Typical Bossa Nova from the 60's. tender, warm & charming with a ...Typical Bossa Nova from the 60's. tender, warm & charming with a touch of melancholy. Lead fuglehorn, guitar & light Brazilian percussion.
Text ... Jazzy bossa-nova in the spirit of the 60's and 70's. Sophisticated, ...Jazzy bossa-nova in the spirit of the 60's and 70's. Sophisticated, classy, charming & relaxed. Female vocals & jazz quartet. Piano lead @1'25. Ideal for hotel lounge.
Não é fácil ver ao tempo que là esta passando
Flutuando em nossas mentes, não quero ver ninguém
E se fosse por mim
Eu ficaria sozinho na minha árvore nunca saindo
Lembrar de você é como esquecer meu coração
Você não deixou o traço do nosso imenso amor
Saber quantas vezes eu poderia ter mudado
Você não quer ver ninguém tampouco ser encontrado
Solidão doi a alma e pode destruí-la
Coração aberto revela novos sentimentos
Bossa nova jazzy in the spirit of the 60's and 70's. Sophisticated, ...Bossa nova jazzy in the spirit of the 60's and 70's. Sophisticated, classy, charming & relaxed. Jazz quartet with delicate lead piano.
Very fast electronic batucada buildind-up with trailer percussion, in ...Very fast electronic batucada buildind-up with trailer percussion, in a festive spirit. Fun, positive & dancing. Break @ 0'45 building-up to a intense & tribal finale. Suggested for Brazilian soccer.
Text ... Cha cha cha in the 60's style. Catchy & mischievous. Sung in Spanish. ...Cha cha cha in the 60's style. Catchy & mischievous. Sung in Spanish. Female singer & band with sax section & latin percussion.
Cuando quieres, no quiero
yo quiero, tu vuelves.
Me besas, te beso, me enciendes.
Te vas !
Corazo?n, corazo?n, no partas por favor.
Corazo?n, corazo?n, me dejas sin control.
Si tu? quieres hoy puedo me llamas invi?tame a cenar
Cuando quieres, no quiero
yo quiero, tu vuelves.
Me besas, te beso, me encientes.
Aaahh!
Corazo?n, corazo?n, no partas por favor.
Corazo?n, corazo?n, me dejas sin control.
Corazo?n, corazo?n, no partas por favor.
Corazo?n, corazo?n, me llenas de ilusio?n.
Por que quiero tu amor
Dame tu corazo?n pum pum pum late mi corazo?n suen?a conmigo amor
EN:
When you want, I don't want
When I want to, you come back.
You kiss me, I kiss you, you turn me on.
You leave !
My heart, my heart, please don't leave.
My heart, my heart, you make me lose control.
If you want today I can, call me invite me to dinner
When you want, I don't want
When I want to, you come back.
You kiss me, I kiss you, you turn me on
Aaahh!
My heart, my heart, please don't leave.
My heart, my heart, you leave me without control.
My heart, my heart, please don't leave.
My heart, my heart, you fill me with illusion.
Because I want your love
Give me your heart boom boom boom my heart dreams of me love
Cha cha cha in the 60's style. Catchy & mischievous. Small band with ...Cha cha cha in the 60's style. Catchy & mischievous. Small band with sax section & latin percussion.
Text ... Latin boogaloo sung in spanglish. Dancing & positive. Male vocal, ...Latin boogaloo sung in spanglish. Dancing & positive. Male vocal, rhythm, piano, latin percussion & brass section. Solo saxophone @ 2'19.
You and me,
are looking for some one,
to make us feel good,
you and me,
are ready for action,
for more satisfaction.
Hoy en la noche
tengo ganas de conoce' una muchacha,
i see that girl in the club
i crush on her,
i feel to dance some chacha.
Esos ojitos blue,
y su long dark hair,
she really got me crazy,
la quiero conocer,
and all the night long
i gone be with her.
you and me no vamos a goza,
ve mujer te voy a enamorar.
EN:
You and me,
are looking for some one,
to make us feel good,
you and me,
are ready for action,
for more satisfaction.
Tonight
I want to meet a girl,
i see that girl in the club
i crush on her,
i feel to dance some chacha.
Those blue eyes,
And her long dark hair,
she really got me crazy,
I want to meet her,
and all the night long
i gone be with her.
you and me, we're going to party,
I'm gonna make you fall in love.
FR:
Toi et moi
On est a? la recherche de quelqu'un
Pour qu’on se sente bien
Toi et moi
On est pre?t pour l'action
Pour plus de satisfaction
Ce soir j'ai envie de connaitre une fille
Je vois cette fille dans le club
Je craque pour elle
J'ai le sentiment de danser un peu de cha cha
Ces yeux bleus
Et ses longs cheveux noirs
Elle me rend vraiment fou
Je veux la rencontrer et toute la nuit
Je veux e?tre avec elle
Toi et moi, on va s'amuser
Viens, femme.
Je vais te faire tomber amoureuse
Instrumental bolero with a flamenco touch. Sensual & mysterious. ...Instrumental bolero with a flamenco touch. Sensual & mysterious. Spanish Flamenca guitar, cajon, castanets, organ, synth, Latin percussion. Suggested for latin romance.
Instrumental bolero with a flamenco touch. Sensual & mysterious. ...Instrumental bolero with a flamenco touch. Sensual & mysterious. Cajon, castanets, organ, synth, Latin percussion.
Text ... Bolero in the spirit of the 50's & 60's. Sentimental, romantic with ...Bolero in the spirit of the 50's & 60's. Sentimental, romantic with nostalgia & a kitschy touch. Sung in Spanish. Male singer, brass & latin rhythm.
Ay amor, hasta luegoTe dice mi corazón.Y es que ya no aguanta más dolor. Y aunque en el fondo, me arde el almaDebo de soltarte, vida mía.Reconozco que lo nuestro ya no funcionó.
Adiós, aunque aquella tardeAgarrados de la manoNos juramos amor eterno.Y la rutina, al finalAlejó nuestras almas en pasión.Ya no digas nada,No me abraces, Suelta ya mi mano, te lo pido.Es tiempo de decirte mi adiós.Adiós.
Alternate without brass. Bolero in the spirit of the 50's & 60's. ...Alternate without brass. Bolero in the spirit of the 50's & 60's. Sentimental, romantic with nostalgia & a kitschy touch sung in Spanish. Male singer, strings & latin rhythm.
Bolero in the spirit of the 50's & 60's. Sentimental, romantic with ...Bolero in the spirit of the 50's & 60's. Sentimental, romantic with nostalgia & a kitschy touch. Strings, brass & latin rhythm.
Alternate with lead Spanish guitar. Bolero in the spirit of the 50's ...Alternate with lead Spanish guitar. Bolero in the spirit of the 50's & 60's. Sentimental, romantic with nostalgia & a kitschy touch. Brass & latin rhythm.
Bolero in the spirit of the 50's & 60's. Sentimental, romantic with ...Bolero in the spirit of the 50's & 60's. Sentimental, romantic with nostalgia & a kitschy touch. Latin rhythm, brass & keyboard.
Text ... Happy & danceable champeta calypso. Traditional Afrocaribbean song ...Happy & danceable champeta calypso. Traditional Afrocaribbean song from Colombia, sung in Palenquero. Mixed choirs, female singer, electric guitar, maracas, traditional percussion.
I kelé Kandá ma Tiela mi, Así na Jué Kombilesa Mi (bis)(Yo quiero cantarle a mi tierra, así es amigo mío.) I ta ané kuchá ma ansetroMí Kandá ané a ta bibi andi mi (bis)(ellos están, escucho a mis ancestros, los cantos de ellos viven en mi) I kelé Kandá ma Tiela mi, Asína Jué Kombilesa Mi (bis)(Yo quiero cantarle a mi tierra, así es amigo mío.) I kelé Kandá ma Tiela mi, Asína Jué Kombilesa Mi (bis)(Yo quiero cantarle a mi tierra, así es amigo mío. Asína jué (asi es) 3vecesKombilesa mi (amigo mío) I kelé Kandá (yo quiero cantar)I kelé chitiá(yo quiero hablar)Kelé sarangiá(quiero bailar)Kombilesa mí(Amigo mío) I kelé Kandá (yo quiero cantar)I kelé chitiá(yo quiero hablar)Kelé sarangiá(quiero bailar)Kombilesa mí(Amigo mío)
Instrumental. Happy & danceable champeta calypso. Traditional ...Instrumental. Happy & danceable champeta calypso. Traditional Afrocaribbean rhythm from Colombia. Electric guitar, maracas, traditional percussion.
Text ... Fun & swaying Mexican corrido, sung in Spanish. Male voice, ...Fun & swaying Mexican corrido, sung in Spanish. Male voice, accordion, pinched double bass, Jarana Huasteca, Jarana Jarocha, snare drum-rolls.
Queriendo correr ya gateaba,Queriendo de todo chillaba,Mi papá vivía de artesanías. Ahora yo canto por nada,Extraño mi tierra y mi mamá,Me lleva la gente en su algarabía. Los veo y me siento a contar Monedas que no me darán La felicidad de la noche y el día. La verdad es que soy incapazDe poder cambiarlo que no sabría. Niño llorón, daría la vida por un poquitico de amor Niño llorón, me duele volver a tener que mirarte a los ojos, Porque el tiempo nos dejó
¡Niño llorón! ¡Niño llorón!
Queriendo tener tu mirada Pusiste atención, me veías las manos vacías ¿Qué te pediría?
Las palabras se pasan de largo Tal vez el siguiente sería Quien se apiadaría de ver por mi vida. Niño llorón, daría la vida por un poquitico de amor Niño llorón, me duele volver a tener que mirarte a los ojos Niño llorón, apenas tus penas se alivian con música, ¡ay, Dios!Niño llorón, no pierdas, mujer, la esperanza. ¡Ten fe en el amor!Porque el tiempo nos dejó, porque el tiempo nos dejó
Text ... Psychobilly, urgent & determined. Guitar solo @1'36 & @2'33. Sung in ...Psychobilly, urgent & determined. Guitar solo @1'36 & @2'33. Sung in Spanish (explicit). Rock band.
Yeah! Yeah! Yeah! Yeah! Yeah! Yeah! Yeah! En este cementerio hasta los muertos lloran En este monasterio hasta los curas follan No hay sobrevivientessolo un collar de dientes Yeah! Yeah! Yeah!Yeah! Yeah! Yeah! Yeah!En este cementerio todo va a estar bien En este cementerio donde los diablos moran todo es un misteriola muerte te enamora No hay sobrevivientessolo un collar de dientesEn este cementerio yo voy a estar bien En este cementerio cuando las brujas oran estoy en cautiverioy en ataúd devoran No hay sobrevivientessolo un collar de dientesEn este cementerio tu vas a estar bien En este cementerio hasta los muertos lloran En este monasterio hasta los curas follan No hay sobrevivientessolo un collar de dientesEn este cementerio vamos a estar bien
Electro-batucada. Festive & industrial. Percussion ensemble with fx & ...Electro-batucada. Festive & industrial. Percussion ensemble with fx & electronics.
Text ... Bossa nova / jazz song / cool jazz / easy listening. Relax, jazzy & ...Bossa nova / jazz song / cool jazz / easy listening. Relax, jazzy & sensual. Female singer, acoustic guitar & alto sax. Sax solo @ 1'10.
Text ... Energetic & festive. Reggaeton/latin EDM. Male vocals sung in ...Energetic & festive. Reggaeton/latin EDM. Male vocals sung in english, synth, electronic percussion, electronic horn fx, latin percussion.
Ee ee original Pana Black pan the case man, Singing full positive vibration,With I and I inspiration,Ire me se,Rank Kan Kan Kan...This is the mystic from the rubadod style, Little’s vibrations’ around my life,Jump a long,For freedom song, Watch me now, Everybody come on, Come on,Hands up,For freedom song, Watch me now, Everybody come on, Come on,Me no want no man come tell me corruption quaint thon, Corruption quaint thon,Me no want no man come tell me war quaint go sleep,War quaint go sleep,
Text ... Reggaeton sung in spanglish. Urban & clubbing atmosphere. Male ...Reggaeton sung in spanglish. Urban & clubbing atmosphere. Male singer, synth & rhythm.
Yo la vihustrleando en el club (Ella lo sabeY eso se le ve)
Haciendo dinero al por mayor (Ella lo sabe Y eso se le ve) Del V.I.P no sale su combo(Ella lo sabe Y eso se le ve)
Si tú la vez Que Si tú la vez Que
Strip clubStrip club Montando en carro más caro Strip clubStrip club Viajando en jet por todo lados TonightIs club time Hawe gotta goI’m going for her On my black limousine Forrado en mi blin blin With my boots shining My wallet loaded Money money Like a P.I.M.P
